Abstract

The study aims to unravel the intricate layers of postcolonial narratives within these selected poems. This research employs a thematic descriptive approach and qualitative methods to examine the portrayal of postcolonial themes in Oodgeroo Noonuccal’s “We Are Going” and Gabriel Okara’s “Once Upon a Time.” Utilizing both primary and secondary sources, thematic analysis is employed to extract themes such as displacement, migration, the struggle for national identity, and cultural preservation. Both poets adeptly weave postcolonial motifs into their verses, depicting the challenges faced by Indigenous communities due to colonial disruptions. Through vivid imagery, the poems illuminate the upheavals caused by colonial forces and highlight narratives of resilience and resistance against the erasure of cultural heritage. Additionally, they delve into the complexities of cultural preservation as acts of defiance and survival in the face of colonial encroachment. Noonuccal and Okara skillfully navigate the complexities of colonization, exploring how cultures grapple with external influences while safeguarding their intrinsic identities. The ramifications of colonization reverberate throughout the verses, providing critical insights into its enduring impact on societies and cultures. Ultimately, these poems serve as poignant testimonials, shedding light on the profound consequences of historical subjugation. The article recommends comparative research on diverse postcolonial literatures and the use of interdisciplinary methods to understand the comprehensive impacts of colonization.