The Arts in Society
Zartasha ShahAmy Schwartzott’s Shares
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“The life of a gun: transforming tools for killing into tools for peacekeeping: Mozambique’s TAE project,”
online blog entry
Credit: online essay, Reflections. Centre for Conflict Studies
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“Transforming Arms into Plowshares: Weapons that Destroy and Heal in Mozambican Urban Art,”
book chapter
Credit: Representations of Reconciliation: Art and Trauma in Africa, Eds. Lizelle Bisschoff and Stefanie Van de Peer, London: I. B. Tauris Publishers
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“Recycling Discarded Histories to Chronicle Identities: In Making Art from Waste in Mozambique,”
journal article
Credit: Waste Papers on Disposability, Decay, and Depletion, Open Library of Humanities 5(1):47, 1-23.
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“Conceptual, Temporal and Tangible: Discursive Spaces of Contemporary Art in Maputo,”
journal article
Credit: Critical Interventions: Journal of African Art History and Visual Culture. Issue on Emerging Platforms for Artistic Production in DRC, Angola, and Mozambique, Ed. Sylvester Ogbechie, Routledge: Taylor and Francis, Volume 8, Issue 2, August 2014
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“Waste not, Want not? Investigating Economic Frameworks of Garbage as Media in Contemporary Urban Mozambican Art,”
journal article
Credit: In Critical Interventions: Journal of African Art History and Visual Culture. Issue on the Economics of African Art, (Eds.) Jordan Fenton & Sylvester Ogbechie, Routledge (Taylor and Francis): Volume 10, Issue 2, August 2016
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Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art
journal article
Credit: ń Tydskrif vir Afrika-letterkunde/A Journal for African Literature, South Africa: Tydskrif
