Abstract
Chinese language’s intonation is often underestimated by singers and overlooked in analysis. However, in the realm of Chinese-American art songs, intonation serves as a powerful medium of cultural hospitality, inviting listeners into a rich tapestry of linguistic and musical traditions. This paper critically examines how intonation contours shape melodic composition in Chinese-American art songs, particularly through the work of Chen Yi. By integrating vocal pedagogy, linguistics, music theory, and Chinese opera history, this research delves into Chen Yi’s “Monologue” and reveals how traditional Chinese musical elements merge with language intonation, enriching her musical expression. This interdisciplinary approach not only highlights the cultural and linguistic nuances of these compositions but also frames them as acts of artistic hospitality, where diverse cultural elements are welcomed and celebrated. Through this lens, we explore the dynamics of cultural exchange and the power of music as a hospitable space for different traditions to converge. This research underscores the significance of intonation in Chinese vocal performances, fostering a deeper appreciation and understanding of Chinese-American art songs.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
2025 Special Focus—The Art of Hospitality
KEYWORDS
CHINESE-AMERICAN ART SONGS, INTONATION CONTOUR, CHEN YI, INTERDISCIPLINARY RESEARCH
