Abstract
Japanese manhole cover designs are very unique public art pieces. This country is most probably the only one that has such a diverse palette of designs with thousands spread from north to south. Contrary to what one might think, the covers’ representations of local characteristics have been conceived for a societal purpose first and foremost. This study describes the origins of such a strategy, how it evolved and where it currently stands. By showing his Shikoku Isshuu Experience, the presenter demonstrates physical, mental, intellectual and creative benefits these metal cast designs had on him. By extension, he introduces a new project that aims at stimulating slow tourism outside popular centers like Kyoto and Tokyo with the help of local municipalities and the manhole covers of their precincts.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
2024 Special Focus—-Art for Sustenance
KEYWORDS
JAPAN, MANHOLE COVER, ART, PRINTING, EXERCISING, SUSTENANCE, COMMUNITY, LOCAL
