Abstract
In the dynamic context of our rapidly evolving global landscape, the progression of time has not only enhanced cultural exchanges between Eastern and Western societies but has also exerted a profound influence upon the millennia-old tradition of Chinese Calligraphy. Against this backdrop, Contemporary calligraphy now diverges into two main trends, one is to continue to develop traditional calligraphy, which is indispensable as this is the foundation of all further advancements. The other is to innovate calligraphy. Calligraphy is no longer the main tool for daily records or communication nowadays. To better preserve and develop this cultural heritage, this study focuses on contemporary innovative calligraphy in mainland China, Taiwan, and Hong Kong. The exploration of various new forms of calligraphy enhances the richness of this traditional art form. This richness is reflected in the education and dissemination of calligraphy, captivating individuals with diverse preferences and fostering their interest and appreciation. Through a comprehensive review of existing literature, the current state of development in these three regions will be evaluated, including the backgrounds, causes, challenges, strengths and weaknesses of the current situation. As well as exploring what application calligraphy offers in contemporary society. In addition, through interviews with professional artists and a questionnaire survey of professional students, this study provides possible guidelines for the future training and development of Chinese calligraphy. Hence, this cultural heritage can be preserved and further flourish.
Presenters
Chang LiuStudent, Master by research, Nanyang Technological University, Central Singapore, Singapore
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
CHINESE CALLIGRAPHY, INNOVATION
