Abstract
The study explores the integration of Islamic Geometric Patterns (IGP) within the context of Anthropocene aesthetics, a concept emphasizing human impact on the environment and its reflection in art. It discusses how IGP transcends traditional environmental themes, aligning with Theodor W. Adorno’s aesthetic theory. Adorno’s ideas on art’s transformative role in society and its ability to challenge societal norms through autonomy are central to this analysis. The essay examines IGP’s role in representing the intricate relationship between humanity and nature, showing how these patterns embody a sacred geography that bridges the earthly and the divine. It also delves into the role of IGP in contemporary visual arts, highlighting its influence and reinterpretation in the Anthropocene era. The study positions IGP as a medium that offers a unique perspective on environmental concerns, promoting a holistic view of the human-nature relationship.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
ISLAMIC GEOMETRIC PATTERN ART, ANTHROPOCENE AESTHETICS, ADORNO'S AESTHETIC THEORY
