Abstract
This ongoing research explores the intersections of social, political, and cultural narratives within contemporary poster design practice. Via in-depth semi-structured interviews with three Poster Design Masters (Posterists) from three different continents, this study aims to unpack the cultural, ethical and societal influences shaping their design practices. It explores their phrenic and emotive motivations for creating non-monetised posters, aiming to unpack the thought processes and emotional drivers that underpin their work. The study leverages both textual and visual analyses to achieve these aims by curating and exegesing a selection of posters from each designer. Interim analysis of the data has revealed commonalities in altruism, advocacy, and intangible cultural heritage, offering insights into the challenges faced by Posterists in navigating tensions between artistic expression, societal relevance and commitment to ethical causes within non-commercial artistic spaces. The tangible outcomes of this research will be presented as a print-based volume documenting the creative processes and critical insights behind the posters. A virtual exhibition will support this publication, emphasising accessibility and inclusivity as key components of integrous poster design practice. This contribution aims to provide the art and design community with a practicable model of an integrous creative process within poster design, which transcends the boundaries of consumerism and moves towards ethical practice.
Presenters
Lisa WinstanleyAssistant Professor, School of Art Design and Media, Nanyang Technological University, Singapore
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
The Arts in Social, Political, and Community Life
KEYWORDS
Poster design, Creative integrity, Design discourse, Non-commercial practice, Virtual exhibition
